Body Art for Performance
Marina Abramovic (b. 1946) exemplifies this form (known in France as “art corporeal”), whose most famous performance – “Rhythm 0,” first performed in 1974 – involved her passively enduring a range of acts performed on her by the audience, whose members cut her, pricked her with thorns, tickled her with feathers, stripped her naked, and even pressed a loaded gun to her head. Michel Journiac (1935-1995); Benjamin Vautier (b.1935); Ketty La Rocca (1938-76); Gina Pane (1939-90); Vito Acconci (b.1940); Ulay (Frank Uwe Laysiepen) (b.1943); Rebecca Horn (b.1944), well known for her performance “Einhorn”; Chris Burden (1946-2015); and Stelarc (Stelios Arcadiou) are (b.1946). Body-related performances have also been linked to feminist art, such as Carolee Schneemann’s “Interior Scroll” (1975). (b.1939).
Painting on the body
Body painting, which dates back to the Stone Age, has become a distinctive feature of late 20th century postmodernist art, as evidenced by New Zealander Joanne Gair’s (b.1958) trompe-l’oeil painting, most notably her creation of “Demi Moore’s Birthday Suit,” photographed by Annie Leibovitz and featured on the front cover of Vanity Fair magazine in August 1992. Body art festivals are becoming increasingly popular, such as the World Bodypainting Festival in Seeboden, Austria, and the Sydney Body Art Ride.
A tattoo is a permanent mark or pattern on the body created by injecting indelible ink into the skin’s dermis layer. Since the Neolithic era, tattooing has been a popular type of body decoration: the oldest known specimen of tattooed skin is on the body of a mummified man from the Chilean Chinchorro civilization (c.6000 BCE), while the oldest European tattoo is on the body of “Otzi the Iceman” (c.3100 BCE, South Tyrol Museum of Archeology, Bolzano). In the mid-eighteenth century, explorers came into touch with tattooed Indians and Pacific islanders, and the name “tattoo” was derived from the Polynesian word “tatau.”
Face-painting is an art form that involves the application of paint to the face (including MakeupMakeup)
Face painting was initially used to identify prominent persons such as shamans and tribal chiefs during the Paleolithic era of art and culture. It later became a popular part of tribal art, where it was used for a variety of purposes, including “battle paint” (see, for example, American Indian art). Ochre, henna, charcoal, woad, and annatto were among the paints used. Face painting, often known as “cosmetic makeup,” is widely used in the theatre, television, film, and fashion sectors. “Fashion makeup makeup” (to create a “look”), “stage makeup makeup” (to counteract the effects of stage lighting), and “prosthetic makeup makeup” are some of the several types (to create special facial effects). Best MakeupMakeup and Hairstyling even has its Academy Award.
Living Statues and Mimes
Mime is the skill of communicating an action, emotion, and character exclusively via body gestures or motions (from the Greek word “memos” meaning “actor”). It was influenced by cultural traditions such as the Japanese Noh theatre (14th century) and the Italian Commedia dell’arte, and it dates back to Classical Antiquity (16th century). Mime performers such as Jacques Copeau (1879-1949), Etienne Decroux (1898-1991), Jacques Tati (Jacques Tatischeff) (1907-82) and Marcel Marceau have dominated modern mime from its inception in Paris in the late nineteenth century (1923-2007).
On the other hand, the phrase “living statue” is widely used to describe a street artist who stays motionless for hours at a time, like a statue or mannequin. In Arnhem, the Netherlands, the World Championship of Living Statues is hosted every year and sees Gilbert and George’s live sculptures.